Body of evidence movie movie#
Body of evidence movie trial#

But as the lead character in an erotic thriller? As Weird Al Yankovic wrote about Mr. Exhibit B: William Defoe: I genuinely like William Defoe. The judge allows so many shenanigans that she makes Judge Ito look like Judge Judy. The scenes here are pointless with half a dozen side characters introduced and then forgotten. Now courtroom scenes can work in thrillers (see 1990's Presumed Innocent), but they should be to the point and thrilling. However, it spends an amazing amount of time in the courtroom. Body of Evidence is often considered an erotic thriller. The case for the Prosecution: Exhibit A: The courtroom scenes: AKA half the bloody movie. Will her lawyer get her off? Will she get him off? Stay tuned for the drama both inside and outside of the courtroom.

Body of evidence movie trial#

In this predictable drama, she's the only one not ahead of the plot.Body of Evidence: 7 out of 10: A woman is on trial for seducing men to death. Then she shows up for the finale just in time for the final credits. She bumps into Madonna in the ladies room. After she finds out about her husband's treachery (huge burn marks on his chest, prolonged absences from the home), she stumbles after him and That Woman like a heartsick zombie.

Body of evidence movie movie#

'That didn't include telling him that his girlfriend was a cokehead slut.'Īs for Dafoe's unfortunate wife (Julianne Moore), she spends the entire movie being deceived ('Men lie,' proclaims sibylline Madonna). Asked by Dafoe why Archer didn't report this drug use to her late boss, Archer replies she wanted to keep her job. Early in the trial, she accuses Madonna of snorting cocaine. Strategic witness Archer is an unintentional scream. Finally sick of the tittering court spectators, she yells, 'Keep your rude mouths shut or get out of my courtroom!' Judge Lehman's exasperation at the sexually explicit case is amusing. It's ridiculous always, and sometimes goofy fun. The did-she-or-didn't-she? question hangs over the movie until the end. What do you say about this kind of movie? If you've seen 'Jagged Edge,' 'Fatal Attraction' and all those hyped-up whodunits, you've essentially seen this before. Somehow, Dafoe finds the time to prepare his client's defense. Dafoe and Madonna explore new things to do with belts and broken glass - usually in her impossibly expensive houseboat. The witnesses, including Frank Langella, Jurgen Prochnow and the victim's mysterious secretary, Anne Archer, deliver their jigsaw pieces in the puzzle. The case proceeds by day, a pitched battle between Dafoe and Mantegna, presided over by dour (and very funny) judge Lillian Lehman. 'You're great when you get a big case,' says Dafoe's wife, after a marital love session - soon after Dafoe has become intrigued with Madonna. He throws away all integrity, ditches his family and takes her wax.

The best way to handle a woman who acts like Sharon Stone is to act like Michael Douglas in the same movie. Since he appears not to have read the script before appearing in this movie, his lack of caution makes sense. What she does with hot candle wax you don't normally see at Mass.Īmbulance-chasing defense attorney Willem Dafoe decides to represent the accused before finding out about her. She does naughty things in elevators and extremely bad things in underground parking lots. Lips parted, she talks about The Way Animals Make Love. She sucks her finger like a psychotic toddler. She murmurs in a dreamlike, slightly entranced voice. District attorney Joe Mantegna feels she ought to be tried for murder.īut she really ought to be tried for impersonating Sharon Stone in 'Basic Instinct.' Or playing a second-rate Hitchcock mystery blonde - she's even named Rebecca. She stood to gain $8 million from the old fella's will. She used handcuffs, nipple clamps and videotape. Seems the Material Girl is accused of hastening the death of an older lover afflicted with a heart condition. In this steamy murder mystery, that corpus delectable is the suspected murder weapon. In'Body of Evidence,' Madonna is the Body.